Edition:
Sylverstre de Sacy, Antoine, Calila et Dimna ou fables de Bidpai, Paris,  1816 (based on this MS, supplemented by unidentified other MSS).

Bibliography:
Blois, François de, Burzoy's Voyage to India and the Origin of the Book of Kalilah Wa Dimnah, London: The Royal Asiatic Society, 1990, 70 (referred to as P13).
Gruendler, Beatrice, “Continuum: The Interrelation of some Arabic Versions of Kalīla wa-Dimna, ” in: An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions ed. B. Gruendler and I. Toral, Leiden: Brill (forthcoming).
Gruendler, Beatrice, Jan J. van Ginkel, Rima Redwan, Khouloud Khalfallah, Isabel Toral, Johannes Stephan, Matthew L. Keegan, Theodore S. Beers, Mahmoud Kozae, and Marwa M. Ahmed. “An Interim Report on the Editorial and Analytical Work of the AnonymClassic Project.” Medieval Worlds medieval worlds, no. Volume 11. 2020 (2020): 241–79, esp. 263, 250. https://doi.org/10.1553/medievalworlds_no11_2020s24 .
Guesdon, Marie-Geneviève and Annie Vernay-Nouri (eds.), L’art du livre arabe. Du manuscrit au livre d’artiste, Paris: Bibliothèque nationale de France, 2001, 132. Luyster,  Amanda, “The Conversion of Kalila and Dimna: Raymond de Béziers: Religious experience, and translation at the fourteenth-century French court, Gesta, ” vol. 56, no. 1, 2017, pp. 81-104. 
O'Kane, Bernard, Early Persian Painting: Kalila and Dimna Manuscripts of the Early Fourteenth Century, London: Tauris, 2003, pp. 38-39.
Ullmann,  Manfred, Die Natur- und Geheimwissenschaften im Islam, Leiden, Köln, 1972 (Handbuch der Orientalistik, I Abteilung, Ergänzungband VI, 2), p. 268. 
Vernay-Nouri,  Annie, “Histoires de transmission: un manuscrit du XIIIe siècle (Paris, Arabe 3465) et ses copies tardives, ” in Eloïse Brac de la Perrière, Aïda El Khiari, and Annie Vernay-Nouri and (eds.), The Journeys of Kalila and Dimna: Itineraries of fables in the Literature and Arts of the Islamic World, Leiden: Brill 2022, pp. 130-71.

Bibliography:
Blois, François de, Burzoy's Voyage to India and the Origin of the Book of Kalilah Wa Dimnah, London: The Royal Asiatic Society, 1990, 67 (referred to as P1).
Gruendler, Beatrice, “A Rat and Its Redactors: Silent Co-Authorship in Kalīla wa-Dimna, ” in in Eloïse Brac de la Perrière, Aïda El Khiari, and Annie Vernay-Nouri and (eds.), The Journeys of Kalila and Dimna: Itineraries of fables in the Literature and Arts of the Islamic World, Leiden: Brill 2022, pp. 3-42
Gruendler, Beatrice, Jan J. van Ginkel, Rima Redwan, Khouloud Khalfallah, Isabel Toral, Johannes Stephan, Matthew L. Keegan, Theodore S. Beers, Mahmoud Kozae, and Marwa M. Ahmed. “An Interim Report on the Editorial and Analytical Work of the AnonymClassic Project.” Medieval Worlds medieval worlds, no. Volume 11. 2020 (2020): 241–79, esp. 259-60, 263-64, 266. https://doi.org/10.1553medievalworlds_no11_2020s241.

Bibliography:
Vaughan, R., and J. Fines, “A Handlist of Manuscripts in the Library of Corpus Christi College, Cambridge, Not Described by M. R. James, ”Transactions of the Cambridge Bibliographical Society 3 (1960): p. 119 (brief description).
Budny, M., Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge: An Illustrated Catalogue. Kalamazoo, MI, 1997, vol. I, pp. liii, 564 (brief comments on modern rebinding).
Dickins, B. “The Making of the Parker Library, ” Transactions of the Cambridge Bibliographical Society 6 (1972): p. 31 (briefly mentions that this Arabic version of Kalilah and Dimna decorated with illumination of the fourteenth-century Baghdad school style was donated in 1796 by W. T. Sandiford but was not catalogued as part of the collection until the twentieth century).